Wednesday, November 16, 2016
Over the Counter #340
First up is Playing Dead: A Journey Through the World of Death Fraud by Elizabeth Greenwood.
From the publisher, Simon and Schuster:
"Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out.
So she sets off on a foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin…only to find it filled with rocks.
Greenwood tracks down a man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (yes, he’s alive—or so some would have her believe), talks to people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not succeed in obtaining some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees you’ll be caught. (Disappearing while hiking, however, is a great way to go.)
Playing Dead is an utterly fascinating and charmingly bizarre investigation into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to lose their identities—and their families—to begin again."
Not Dead Yet by Phil Collins.
From the publisher, Crown Archetype:
"Phil Collins pulls no punches—about himself, his life, or the ecstasy and heartbreak that’s inspired his music. In his much-awaited memoir, Not Dead Yet, he tells the story of his epic career, with an auspicious debut at age 11 in a crowd shot from the Beatles’ legendary film A Hard Day’s Night. A drummer since almost before he could walk, Collins received on the job training in the seedy, thrilling bars and clubs of 1960s swinging London before finally landing the drum seat in Genesis. Soon, he would step into the spotlight on vocals after the departure of Peter Gabriel and begin to stockpile the songs that would rocket him to international fame with the release of Face Value and “In the Air Tonight.” Whether he’s recalling jamming with Eric Clapton and Robert Plant, pulling together a big band fronted by Tony Bennett, or writing the music for Disney’s smash-hit animated Tarzan, Collins’s storytelling chops never waver. And of course he answers the pressing question on everyone’s mind: just what does “Sussudio” mean?"
(Over the Counter is a regular feature at A Bookworm's World. I've sadly come the realization that I cannot physically read every book that catches my interest as it crosses over my counter at the library. But... I can mention them and maybe one of them will catch your eye as well. See if your local library has them on their shelves!)